The Border between Writing and Life: A Conversation with Marly Youmans
by Jeremy L. C. Jones

From the May 2010 issue

Reviewers call Marly Youmans’ work angelic, beautiful, magnetic, wonderful and immersive. And it is all those things. She is praised for her boundless creativity and her uncanny ability to surprise even her most dedicated fans over and over again. She has often been referred to as a best kept [...]

Peculiar Notes of Contradiction: A Conversation with N.K. Jemisin
by Jeremy L. C. Jones

From the April 2010 issue

A simple walk, rich with impending doom. A chance encounter, taut with peculiar familiarity. A main character whose back-story drips into the surface action with maddeningly beautiful precision and poignancy.
Last month, N. K. Jemisin’s short story "Non-Zero Probabilities," was nominated as a finalist for the 2009 Nebula Award. A well-deserved honor.
"N. [...]

A Terrifying Mix of Honesty and Rigor: A Conversation with Kij Johnson
by Jeremy L. C. Jones

From the March 2010 issue

Kij Johnson didn’t really want to be thought of as "a tentacle-porn girl," but she knew her story, "Spar," worked as a story so she sent it off. 
Last month, "Spar" was nominated as a finalist for the 2009 Nebula Awards in the short story category.
"This is a story I [...]

Chameleon of the Fantastic: An Interview with Jeffrey Ford
by Jason S. Ridler

From the February 2010 issue

Over the past twenty-five years, Jeffrey Ford has earned a reputation for being one of the best writers working today. His short stories and novels collect tales from a wild and unique imagination steered by a craftsmen’s eye for narrative and prose. His fiction could stand as comfortable next to Jonathan [...]

Lucius Shepard: An Expatriate Writer of Exotic Tales
by Jason S. Ridler

From the January 2010 issue

There’s an old saw about writers, are you a Hemingway or a Faulkner? Do you travel the world to write, or hunker down and find the secret language of one place like no one else? Lucius Shepard’s work ignores such binary sound bites. Instead, his fiction carries the weight of a [...]

If It Scares You, Write It: A Conversation with Nnedi Okorafor
by Jeremy L. C. Jones

From the December 2009 issue

Nnedi Okorafor is the award-winning author of Zahrah the Windseeker, The Shadow Seeker, and Long Juju Man. Her writing is beautiful, relentlessly weird, and utterly engrossing.
"I enjoy nonsense and weirdness," Okorafor said. "Carnivorous hummingbirds, for example. An enormous wormlike creature moving beneath the sands who is obsessed with [...]

The Fantastic Spectrum of Elizabeth Hand
by Jason S. Ridler

From the November 2009 issue

For twenty years, Elizabeth Hand has generated an accomplished and compelling body of work spread over short stories, novellas, novels, comic books, and media tie-in fiction. She often blends a literary flare for language, eclectic research, and realized worlds with occasionally sharp, dark, and painful human experiences that range from [...]

Keeping Ahead of the Fear: A Conversation with Ken Scholes
by Jeremy L. C. Jones

From the October 2009 issue

It’s hard to believe that Ken Scholes’ Lamentation is a first novel. It lacks the rough edges of apprenticeship and resonates with sure-footed and exciting story-telling.
Set in a post-apocalyptic future, this fantasy with science-fictional elements (or is it science fiction with fantastical elements?) is the first volume in The Psalms [...]

Mammals Underfoot! An Interview with Emerging Writers
by Jeff Vandermeer

From the September 2009 issue

Every once in awhile, it’s good for a fool like me, entering mid-career, to check the pulse of what’s going on among the emerging writers who will one day call you a curmudgeon. Keeping tabs on this unruly, diverse lot not only lets you see the end of the road coming from [...]

Long Before They Were Read: Speculative Fiction Book Editors Speak Out, Part 2 of 2
by Jeremy L. C. Jones

From the August 2009 issue

The first half of this interview appeared in our July issue.
Slow openings, rushed endings, point of view shifts, gaps in logic, over-blown language, book editors see it all—even in manuscripts they’ve bought from masters in the field.  They also see manuscripts that need little or no work, manuscripts that [...]

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