Issue 157 – October 2019


Editor's Desk: And into Year Fourteen We Go

October marks our thirteenth anniversary! To celebrate, we have a larger-than-normal issue this month, highlighted in part by a novella and an extra translation. Both works were made possible by a grant from LTI Korea. That funding has allowed us to substitute original Korean translations  in place of nine reprints in our 2019 schedule. We’re two-thirds of the way through completing that grant and it’s been a nice addition to this year’s line-up. I’m hoping to continue to do things like this in the future, but naturally, that can only happen with additional funding through grants or increased reader support.

As we embark on our fourteenth year of publishing, I’m happy to report that we’ve made some progress on our backlog of annual anthologies. Clarkesworld Year Ten: Volumes 1 & 2 will be published this month, followed by Clarkesworld Year Eleven: Volumes 1 & 2 in November. That leaves the Year Twelve and Thirteen sets on the table. I had hoped to complete Year Twelve before the end of the year, but between my travel schedule and work on the Best Science Fiction of the Year: Volume 5, I thought it best to pace myself. Both are currently scheduled for the first half of 2020. At that point, we’ll be caught up for the first time in over a decade. I’m looking forward to that day.

It’s always bugged me that those books were constantly behind schedule. The stories are edited, the files are in hand, so what gives? Well, it’s entirely on me. Some of it is just being too busy, but the big obstacle is writing the introductions. It’s not like they are complicated or an in-depth analysis or something, but I freeze up every time I sit down to do them. It became worse for me when the stories would no longer fit in a single book and had to be split in two, doubling the number I’d have to write. Sometimes a six-month window isn’t particularly interesting, so what to write? Recently, I’ve started making more notes throughout the year, a habit I developed working on the Best Science Fiction of the Year annual summaries. That might help, but I figure someone out there might have some thoughts on the matter. What would you like to see in those introductions? Or is short and sweet the way to go?

So aside from anthologies, what does year fourteen hold in store for you? Well, more stories from home and abroad, of course. I have some plans in the works for updates to our website, perhaps holding some livestream Q&As, looking for ways to add value to our Patreon and Clarkesworld Citizen’s pages, and maybe even some workshops. You might have noticed that the Another Word column has been absent from several issues. We’re retooling some of the non-fiction side of the house. It could be that we continue to run extra interviews, but if so, the idea there will be to push beyond just covering authors and doing more with artists, musicians, and other people connected with or influenced by science fiction. You’ll probably see us doing some of that while we look through our other options.

We also need to do some work on our marketing and addressing some of those financial issues I’ve brought up in previous editorials. We’ll be looking at ways of bringing in new readers, how to increase the supporting rate among those who already read the magazine, and evaluating our current subscription and per-issue rates. All are necessary if we want to start improving the rate of pay for the staff here and compensating us adequately for our time. It’s not the stuff that will make you ooh and ahh, but it will make sure that we can continue doing this for another decade and more. I’d like to think you’re at least on-board with that.

On behalf of everyone at Clarkesworld, thanks for your time, attention, and support over the last thirteen years. It’s been a wonderful experience and a pleasure having you with us!

Author profile

Neil Clarke is the editor of Clarkesworld Magazine, Forever Magazine, and several anthologies, including the Best Science Fiction of the Year series. He is a ten-time finalist and current winner of the Hugo Award for Best Editor (Short Form), has won the Chesley Award for Best Art Director three times, and received the Kate Wilhelm Solstice Award from SFWA in 2019. His latest anthology, New Voices in Chinese Science Fiction (co-edited with Xia Jia and Regina Kanyu Wang), is now available from Clarkesworld Books. He currently lives in NJ with his wife and two sons.

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