“Go,” Alex said. “If you remember to keep a low profile, neither your father nor his enemies will ever find you here.”

The ship had landed in the middle of the jungle, miles away from the closest settlement. Alara was a backwater, barely inhabited, and insignificant to galactic politics. It would take days, perhaps weeks, to walk out of here, stumble into a few colonists, and pretend to be near starvation. Enough time to make up any backstory and make it believable.

Ryder flexed his slender arms and stretched, the movements graceful, dancelike. The strict manner in which he had been bound during the ship’s last jump through hyperspace didn’t seem to have any lasting ill effects.

He gave Alex a long, appraising look. “What will you tell my father?”

She shrugged. “I’ll give him his money back.”

“You’ve never failed before, have you?”

“There’s always a first time. I’m human. I’m not perfect.” She began to climb back into the ship.

“That’s it?”

She stopped halfway up the ladder and looked down at him.

“You don’t want to be sure?” he asked, that characteristic smirk playing at the corners of his delicate mouth again. “Don’t you want to ask to see me as I really am?”

She considered this. “No. I’ve already decided to believe you. Trying to make sure can only make things worse. If I find out that you’re telling the truth, then I will have ruined this moment, when I can still believe I’m capable of being decent, of trust. If I find out you’re lying, then I’ll have to consider myself a fool.”

“So, again you choose faith before knowledge.”

This time, she didn’t stop climbing. When she was at the airlock door, she turned around. “Faith is just another name for self-knowledge. You’ve succeeded, Scheherazade. When you tell your own story, you seize life. Now it’s my turn to tell myself a good story, about myself. I know enough. Goodbye.”

Ryder watched as the ship rose, shrank, and disappeared into the evening sky. “Thank you,” he whispered.

Then he set off into the dark jungle, just another wanderer, a lonely will etching his way across the wilderness.

A few hours earlier:

Alex whirls around in her chair at the beep-beep-beep of the proximity alarm. She sees the slender figure of Ryder in the doorway of the cabin, leaning against the frame.

She’s about to apologize for snooping when she notices the smirk on Ryder’s face. Why should I apologize? He’s a prisoner on my ship.

She stands up from the chair. “I needed to see what you’ve been up to on this computer. You’ve been using it practically nonstop. A security precaution—I’m sure you understand.”

He comes into the small room. Alex reaches down to shut off the proximity alarm so that the rapid beeping stops. He’s about her height, slender of build and with delicate features. That teenaged face, so heartbreakingly beautiful, vulnerable, and young, reminds her of her son. A wave of tenderness surfaces in her before she becomes aware of it and dams it away. She realizes suddenly how little she knows about him, despite chasing after him all these weeks and then capturing him. From time to time, she’s seen him tending to the plants in the herbal garden—a small luxury that she allowed herself—with care though she has never told him to do it. Other than that, he’s been holed up in his room.

Like with all her prey, she’s been avoiding having much interaction with him.

He’s cargo, she reminds herself, worth a lot of money. A bounty hunter who forgets her job doesn’t last very long.

“I’ll leave you to it,” she says, and starts to move around him to get to the door.

“Wait!” he says. The smirk is gone, replaced by a hesitant, shy smile. “I wanted to tell you that I appreciate your giving me the run of the ship instead of locking me up in a windowless cell or drugging me.” He pauses, and then adds, “Also, thanks for not roughing me up.”

She shrugs. “Your father’s orders were very clear. You’re not to be injured or harmed in any way. Not even a scratch on your skin.”

“My father.” His face becomes expressionless, like a mask. “He told you not to injure me, did he? Well, of course he would.”

Alex gives him a thoughtful, but hard, gaze. “But if I feel you’re endangering my life, don’t you think for a moment I wouldn’t put you down.”

Ryder lifts his hands in a placating gesture. “I’ve been good. I promise.”

“Honestly, you’re not much of a fighter. Besides, it’s not like there’s anywhere for you to go while we’re in hyperspace. Why not let you stretch your legs around the ship?”

“You’re not curious about why I ran away and why my father has gone to so much trouble to catch me?”

“I’m paid to get you back to him in one piece,” Alex says, “not to ask questions. In my profession, being curious is not always a virtue.” Also, she adds to herself, families are impossible for outsiders to understand.

The smirk is back on his face. He points to the terminal that Alex was using. “You were curious about that.”

“I told you, a security precaution.”

“You would have found out that it’s nothing dangerous within a few seconds. But you played for a while.”

“I got pulled in,” she says. “It’s a game, and on this little ship, I get as bored as you.”

He laughs. “So, what do you think?”

She considers the question and decides there’s nothing wrong with giving him her honest opinion. A privileged kid like that probably never hears any real criticism. “The set up is good, but the pacing is off. The language is self-indulgent in places, and the Pinocchio storyline is a bit clichéd. Still, I think it has potential.”

He nods, acknowledging her feedback. “This is my first time telling a story in this way. Maybe I’ve added too much.”

“You came up with it yourself?”

“In a manner of speaking. You’re right that it’s not completely original.”

“I’d like to play more of it,” she says, surprising even herself.

“Go ahead, and keep on telling me what works and what doesn’t work.”

“Ryder, I used to play a lot of old games like this. Your puzzles really need some work.”

“You want a hint?”

“Of course not. What would be the point? Might as well have you tell me the story yourself.”

“All right.”

Alex looks at Ryder. This is a boy who probably doesn’t like to get his hands dirty. He would be used to the many servants and droids back in his father’s house. Like a princess.

“Very clever,” Alex says.

“Which part?” Ryder looks pleased.

“Your game lures the player into relying on doing everything by ordering a non-player character around. I suppose this is supposed to get the player to feel a sense of participation in the plight of the oppressed automata in your world? Inducing empathy and guilt is the hardest thing to get right in a game.”

Ryder laughs. “Thanks. Maybe you’re giving me too much credit. I was just trying to make the time pass somehow. Sometimes the inevitable end doesn’t seem so scary if you can keep the silence at bay with a story.”

“Like that girl with the stories and the Sultan,” she says. She almost adds and death but catches herself.

Ryder nods. “I told you. It’s not a very original idea.”

“This isn’t some political commentary on your father’s opposition to strong AI, is it? You’re one of those free-droiders.” She’s used to her prey telling her stories to try to get her to be on their side, to let them go. Using a game to do it is at least a new tactic.

Ryder looks away. “My father and I didn’t discuss politics much.”

When he speaks again, his tone is upbeat, and Alex gets the impression he’s trying to change the subject. “I’m surprised you caught on so quick. The text-based user interface is primitive, but it’s the best I can do given what I have to work with.”

“When I was little, my mother allowed only text-based streams on the time-sharing entertainment clusters because she didn’t want us to see and covet all the fancy things we couldn’t afford to buy.” Alex pauses. It’s not like her to reveal a lot of private history to one of her prey. Ryder’s game has unsettled her for some reason. What’s more, Ryder is the son of the most powerful man on Pele, and she resents the possibility that he might pity her childhood in the slums. She hurries on, trying to disguise her discomfort. “Sometimes the best visuals and sims can’t touch plain text. How did you learn to write one?”

“It’s not as if you allow me access to any advanced systems on your ship,” he says, spreading his hands innocently. “Anyway, I always preferred old toys as a kid: wooden blocks, paper craft, programming antique computers. I guess I just like old-fashioned things.”

“I’m old-fashioned myself,” she says.

“I noticed. You don’t have any androids to help you out on the ship. Even the flight systems are barely automated.”

“I find droids creepy,” she says. “The skin and flesh feel real, warm and inviting. But then you get to the glowing electronics underneath, the composite skeleton, the thudding pump that simulates a heartbeat as it circulates the nutrient fluid that functions like blood.”

“Sounds like you had a bad experience with them.”

“Let’s just say that there was one time I had to kill a lot of androids used as decoys to get to the real deal.”

His face takes on an intense look. “You said ‘kill’ instead of ‘deactivate’ or something like that. You think they’re alive?”

The turn in the conversation is unexpected, and she wonders if he’s manipulating her somehow. But she can’t see what the angle is. “It’s just the word that came to mind. They look alive; they act alive; they feel alive.”

“But they’re not really alive,” he says. “As long as their neural nets do not surpass the PKD-threshold, androids aren’t self-aware and can’t be deemed conscious.”

“Good thing making supra-PKD androids is illegal,” she says. “Otherwise people like you would be accusing me of murder.”

“How do you know you’ve never killed one? Just because they’re illegal doesn’t mean they aren’t made.”

She considers this for a moment. Then shrugs. “If I can’t tell the difference, it doesn’t matter. No jury on Pele would convict me anyway for killing an android, supra-PKD or not.”

“You sound like my father, all this talk of laws and appearances. Don’t you ever think deeper than that?”

Can this be the secret that divided father from son? Youthful contempt for the lack of idealism in the old? “I don’t need a lecture from you, and I'm certainly not interested in philosophy. I don’t care for androids much; I’m just glad I can get rid of them when I need to. A lot of my targets these days pay for android decoys to throw me off—I’m surprised you didn’t.”

“That’s disgusting,” Ryder says. The vehemence in his voice surprises her. It’s the most emotional she’s ever seen him, even more than when she had caught him hiding in the slums on the dark side of Ranginui—it hadn’t been that hard to find him; when the senior senator from Pele wanted someone found, there were resources not otherwise available. When Alex had called out his real name in the crowded hostel, Ryder had looked surprised for a moment, but then quickly appeared resigned, the light in his eyes dimming.

“To make them die for you,” he continues, his voice breaking, “to . . . use them that way.”

“In your case,” Alex says dispassionately, “decoys would have helped you out and made my life harder, but I suppose you didn’t get to take much money when you ran away from home. You need to spend a lot to get them custom made to look like you. Bad game plan on your part.”

“Is your job just a game to you? A thrilling hunt?”

Alex doesn’t lose her cool. She’s used to histrionics from her prey. “I don’t usually defend myself, but I don’t usually talk this much with one of my prey either. I live by the bounty hunter’s code: whether something feels right or wrong changes depending on who’s telling the story, but what doesn’t change is that we have a role to play in someone else’s story—bringer of justice, villain, minor functionary. We’re never the stars of the stories we’re in, so it’s our job to play that role as well as we can.

“The people I’m paid to catch are the stars of their own stories. And they’ve all chosen to do something that would make my clients want to pay to have them found. They made a decision, and they must live with the consequences. That is all I need to know. They run, and I pursue. It’s as fair a fight as life can give you.”

When Ryder speaks again, his voice is calm and cool, as if the outburst never happened. “We don’t have to talk about this. Let me work on the game some more. Maybe you’ll like what happens next better.”

They hold each other’s gaze for a long moment. Then Alex shrugs and leaves the room.

Thereafter Chrysanthemum became the Hegemon of the Pan-Flores League, holding sway over all the cities of the peninsula. The Electors from all the cities choose a head of the league from the prominent citizens of Chrysanthemum. Though elected, the league head continued to hold the title of King. The election campaigns often kept those who would be King far from home as they curried favor with the Electors in each member city.

St. Augustine wrote, “It is one thing to be ignorant, and another thing to be unwilling to know. For the will is at fault in the case of the man of whom it is said, ‘He is not inclined to understand, so as to do good.’”

The Augustine Module is a small jewel that, when inserted into an automaton, endows the automaton with free will. A pulsing, shimmering, rainbow-hued crystal about the size of a walnut, it is found only in the depths of the richest diamond mines. The laws of the realm forbid the production of such automata, for it is only the place of God, not Man, to endow creatures with free will.

Miners believe that the presence of the Augustine Module may be detected by the use of the HCROT. By the principle of sympathetic vibration, a HCROT is equipped with a crystal that, when heated, will vibrate near the presence of any Augustine Module. The closer the module is to the HCROT, the stronger the vibrations.

“You really don’t like your father’s politics, do you?” asks Alex.

“I told you: we didn’t talk about politics much.”

“You haven’t answered my question. I think it really bugs you that your father advocates against sentience for androids. But you know that Pele is a conservative world. He has to say certain things to get elected.” A thought occurs to her. “Maybe your secret is that you know something about him that will destroy his political career, and he doesn’t want you to be used by his enemies. What is it? Does he have a droid lover? Maybe one that’s supra-PKD?” Now she is mildly curious.

Ryder laughs bitterly.

“No, that’s too obvious,” Alex muses. “It’s all in your game. Was there really a toy soldier? A childhood companion you wanted to make fully alive but your father wouldn’t budge on? Is that what this is all about?” As she speaks, Alex can feel anger rise in herself. The whole thing seems frivolous, utterly absurd. Ryder was a spoiled rich little kid whose daddy issues amounted to not getting his way about some toy.

“I never got to see my father much,” Ryder says. “It seemed that he was always out traveling around Pele, campaigning for re-election. I spent a lot of time at home with androids. I grew up with them.”

“So you felt close to them,” Alex says. “While you were fretting about ‘freedom’ for your toys, there were people worried sick about how to feed their children outside your mansion. How can a human compete against an android who’s just as creative and resourceful when the human needs rest, might get hurt, might get sick? Your father pushed hard against sentience for androids so that actual people, real people like my parents, would still have jobs.”

Ryder does not flinch away from Alex’s gaze. “The world is filled with multitudes of suffering, and we are limited by our station in life to focus on what we can. You’re right: since the androids aren’t sentient, no one thinks there’s anything wrong with exploiting them the way we are. But we can make them sentient with almost no effort; we’ve known how to cross the PKD-threshold for decades. We simply choose not to. You don’t see a problem with that?”

“No.”

“My father would agree with you. He would say there’s a difference between acts of omission and commission. Withholding from the androids what they could be easily given, unlike taking away what has already been given, does not constitute a moral harm. But I happen to disagree.”

“I told you,” Alex says, “I’m not interested in philosophy.”

“And so we continue to engage in slavery by a philosophical sleight of hand, through deprivation.”

The flight computer crackles to life. “Exiting hyperspace in half an hour.”

Alex looks at Ryder, her face cold. “Come on, let’s go.”

They proceed together to the cockpit, where Alex waits for Ryder to lie down in the passenger seat. “Hands on the armrests. I have to secure you,” she says.

Ryder looks up at her, his delicate features settling into a look of sorrow. “All these days on the same ship and you still don’t trust me?”

“If you’re going to make a move, re-entry is the time to do it. I can’t take a chance. Sorry.” She activates the chair’s restraint system and flexible bands shoot out from the chair to wrap themselves around Ryder’s shoulders, hips, chest, legs. The bands tighten and Ryder groans. Alex is unmoved.

As Alex reaches the door of the cockpit, Ryder calls after her, “You’re really going to turn me over to my father when you don’t even know what this is about?”

“I understand enough to know I don’t care about your pet cause.”

“I began my life with stories others told me: where I come from, who I am, who I should be. I’ve simply decided to tell my own story. Is that so wrong?”

“It’s not for me to judge the right or wrong of it. I know what I need to know.”

“It is one thing to be ignorant, and another thing to be unwilling to know.”

She says nothing and leaves the cockpit.

She knows she should get ready for re-entry and check on the flight systems one last time before securing herself in the pilot’s chair.

But she turns back to the terminal. There’s still a bit of time. She won’t admit it to Ryder, but she does want to know how the game ends, even if it’s probably nothing more than the self-indulgent ravings of a disappointed child.

My Darling,

I am sorry to hear that you’re unwell. But I simply cannot leave the campaign to come home right now. By all signs, the election will be close. Not that I expect you to understand, but if I leave here, Cedric will be able to convince the Electors of Peony that they should throw their support behind him.

You must listen to the Castellan and not give the clockwork servants any trouble.

Your ever-loving father.

Castellan,

I am utterly devastated at this news.

Please have the body embalmed but do not bury her yet. Do not release the news until I figure out what to do.

Artificer,

I would like you to fashion an automaton that is an exact replica of my poor, darling Alex. It must be so life-like that no one can tell them apart.

When the automaton is complete, you must install in it the jewel I have enclosed with this letter. Then you may dispose of the body.

No, do not refuse. I know that you know what it is. If you refuse, I shall make it so that you will never create anything again.

The campaign is so heated here that I cannot step away and let Cedric sway them. Yet, if the news is released that my daughter is dead and I am refusing to go home to mourn her, Cedric will make hay of it and make me appear to be some kind of monster.

No, there is only one solution. No one must know that Alex has died.

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